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What's your vinyl actually worth?

Type any record and see what that pressing is really worth right now: the lowest price it is selling for, how many copies are for sale, and how many collectors own it versus want it. Live data from the Discogs database of millions of pressings.

Values pulled from live Discogs marketplace data, refreshed 11 October 2026. Records, LPs, vinyls: the words are used interchangeably by buyers and sellers, and the value depends on the pressing rather than the name. Two copies of the same album can differ tenfold depending on the year, the label and the matrix number.

Tip: the exact pressing matters. If you know the catalogue number from the label or back cover, add it. First pressings are worth far more than reissues.

Most-wanted collectible records

Ranked by wants per 100 copies, the demand-to-supply ratio Discogs collectors judge a record by. It is a better guide to what a pressing will fetch than age or rarity claims in a listing: a record with more people wanting one than owning one (over 100 here) has buyers competing, while a famous album with millions of copies pressed is usually worth very little however old it is. Own and want counts come from Discogs and refresh weekly.

Iconic pressings ranked by collector demand (how many want a copy versus own one). Search above to value your own record.

Across the 40 most-collected records here, the median is 25 wants per 100 copies, and the highest is 118. That is the useful reality check: even for the records everyone wants, there are about 4 times as many copies in circulation as people looking for one. A standard pressing of a famous album is common, not scarce, whatever its age.

Order by
Lauryn Hill - The Miseducation Of Lauryn Hill
1998 · Ruffhouse Records · US
VinylLPAlbum
118 wants per 100 copies
Own 9,511Want 11,197In demand

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See on eBayDiscogs
Marvin Gaye - What's Going On
1971 · Tamla · US
VinylLPAlbum
96 wants per 100 copies
Own 11,057Want 10,639
The Clash - London Calling
1979 · CBS · UK
VinylLPAlbum
86 wants per 100 copies
Own 16,102Want 13,822
Daft Punk - Discovery
2001 · Virgin · Europe
VinylLPAlbum
78 wants per 100 copies
Own 29,067Want 22,697
Wu-Tang Clan - Enter The Wu-Tang (36 Chambers)
1993 · RCA Records Label · US
VinylLPAlbum
65 wants per 100 copies
Own 28,951Want 18,728
Rolling Stones* - Exile On Main St.
1972 · Rolling Stones Records · UK
VinylLPAlbum
58 wants per 100 copies
Own 7,387Want 4,286
Miles Davis - Kind Of Blue
2010 · Columbia · France
VinylLPAlbum
54 wants per 100 copies
Own 3,405Want 1,838
Kendrick Lamar - To Pimp A Butterfly
2015 · Top Dawg Entertainment · US
VinylLPAlbum
52 wants per 100 copies
Own 31,116Want 16,305
A Tribe Called Quest - The Low End Theory
1996 · Jive · US
VinylLPAlbum
52 wants per 100 copies
Own 18,310Want 9,536
Kate Bush - Hounds Of Love
1985 · EMI · UK
VinylLPAlbum
51 wants per 100 copies
Own 12,512Want 6,338
Talking Heads - Remain In Light
1980 · Sire · US
VinylLPAlbum
51 wants per 100 copies
Own 18,264Want 9,240
Frank Ocean - Blonde
2022 · Blonded · US
VinylLPAlbum
44 wants per 100 copies
Own 35,059Want 15,324
The Notorious B.I.G.* - Ready To Die
2017 · Bad Boy Entertainment · US
VinylLPVinyl
43 wants per 100 copies
Own 13,432Want 5,826
Prince And The Revolution - Purple Rain
1984 · Warner Bros. Records · US
VinylLPAlbum
35 wants per 100 copies
Own 46,000Want 16,124
Aphex Twin - Selected Ambient Works 85-92
2013 · Apollo · UK
VinylLPAlbum
34 wants per 100 copies
Own 18,314Want 6,145
The Jimi Hendrix Experience - Are You Experienced?
1967 · Reprise Records · US
VinylLPAlbum
33 wants per 100 copies
Own 26,388Want 8,637
Tame Impala - Currents
2015 · Fiction Records · Europe
VinylLPAlbum
31 wants per 100 copies
Own 31,423Want 9,658
Fleetwood Mac - Rumours
1977 · Warner Bros. Records · US
VinylLPAlbum
28 wants per 100 copies
Own 67,429Want 18,544
Led Zeppelin - Led Zeppelin IV
1978 · Atlantic · Italy
VinylLPAlbum
26 wants per 100 copies
Own 13,288Want 3,406
Michael Jackson - Thriller
1982 · Epic · US
VinylLPAlbum
25 wants per 100 copies
Own 67,200Want 17,130
Stevie Wonder - Songs In The Key Of Life
1976 · Tamla · US
VinylLPVinyl
25 wants per 100 copies
Own 25,994Want 6,460
Amy Winehouse - Back To Black
2006 · Universal Republic Records · US
VinylLPAlbum
24 wants per 100 copies
Own 34,876Want 8,524
My Bloody Valentine - Loveless
2021 · Domino · Europe
VinylLPAlbum
24 wants per 100 copies
Own 13,756Want 3,250
The Velvet Underground & Nico (3) - The Velvet Underground & Nico
2008 · Verve Records · US
VinylLPAlbum
23 wants per 100 copies
Own 8,813Want 2,015
Bob Dylan - Blood On The Tracks
1975 · Columbia · US
VinylLPAlbum
23 wants per 100 copies
Own 21,876Want 4,933
Metallica - Master Of Puppets
2014 · Blackened · US
VinylLPAlbum
22 wants per 100 copies
Own 10,408Want 2,291
Arctic Monkeys - AM
2013 · Domino · US
VinylLPAlbum
21 wants per 100 copies
Own 59,361Want 12,383
Portishead - Dummy
2017 · Go! Beat · Europe
VinylLPAlbum
20 wants per 100 copies
Own 19,743Want 3,864
Nirvana - Nevermind
2015 · DGC · Europe
VinylLPAlbum
17 wants per 100 copies
Own 77,313Want 13,384
Massive Attack - Blue Lines
2016 · Wild Bunch Records · Europe
VinylLPAlbum
17 wants per 100 copies
Own 32,091Want 5,458
The Beach Boys - Pet Sounds
2016 · Capitol Records · Europe
VinylLPAlbum
17 wants per 100 copies
Own 23,528Want 3,972
David Bowie - The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
2016 · Parlophone · Worldwide
VinylLPAlbum
16 wants per 100 copies
Own 46,524Want 7,224
Radiohead - OK Computer
2016 · XL Recordings · US
VinylLPAlbum
15 wants per 100 copies
Own 25,503Want 3,701
The Smiths - The Queen Is Dead
2012 · WEA · Europe
VinylLPAlbum
13 wants per 100 copies
Own 46,879Want 6,235
Pink Floyd - The Dark Side Of The Moon
2016 · Pink Floyd Records · Europe
VinylLPAlbum
13 wants per 100 copies
Own 77,983Want 10,025
AC/DC - Back In Black
2009 · Columbia · Europe
VinylLPAlbum
13 wants per 100 copies
Own 31,044Want 3,946
Joy Division - Unknown Pleasures
2015 · Factory · Europe
VinylLPAlbum
12 wants per 100 copies
Own 38,876Want 4,721
Queen - A Night At The Opera
2008 · Hollywood Records · USA & Canada
VinylLPAlbum
12 wants per 100 copies
Own 15,504Want 1,877
The Beatles - Abbey Road
2019 · Apple Records · Worldwide
VinylLPAlbum
10 wants per 100 copies
Own 39,187Want 3,732
Iron Maiden - The Number Of The Beast
2014 · Parlophone · Europe
VinylLPAlbum
9 wants per 100 copies
Own 19,503Want 1,660
How to read the results. Each card is a specific pressing. The lowest price is the cheapest copy currently listed, so a clean copy is usually worth more. For sale is scarcity, and own vs want is demand: when far more collectors want a record than own it, and few are for sale, the value tends to rise. Sealed and Near Mint copies command a big premium over worn ones.
Keep your records worth more. Condition is half the value. A good record cleaning kit and anti-static inner sleeves protect the grade that collectors pay for. Building a collection? Compare turntables, or see the live cheapest turntables on eBay.

How to tell if a record is worth money

Four things decide what a record is worth, in roughly this order: condition, whether it is an original first pressing or a later reissue, how rare and in-demand the title is, and whether the cover and inserts are complete. Age on its own barely matters.

1. Condition (the Goldmine grading scale)

Condition is the single biggest factor, and value drops fast as it falls. Collectors and dealers grade to this standard:

GradeWhat it meansValue vs Near Mint
Mint (M)Perfect, usually still sealedTop price; sealed rarities most of all
Near Mint (NM)Looks and plays like new, no marksThe benchmark dealers price from
Very Good Plus (VG+)Light handling marks, plays with almost no noiseAbout half of Near Mint
Very Good (VG)Visible wear and some surface noise, plays throughAbout a quarter of Near Mint
Good (G)Heavily worn and noisy, but plays without skippingRoughly 10 to 15 percent
Poor / Fair (P)Scratched, warped or crackedLittle value unless very rare

2. First pressing or reissue

An original first pressing is usually worth several times a later reissue of the same album. To check yours, read the matrix number etched in the run-out groove near the label, then match the catalogue number, label design and country to the earliest release on Discogs. The value checker above lets you compare each pressing side by side.

3. Why most old records are not valuable

Age does not equal value. Chart hits from the 1960s to 80s were pressed in the millions, so a common album in average condition is worth only a few dollars however old it is. The real money is in first pressings of sought-after titles in top condition, limited runs, withdrawn or misprinted covers, and genuinely scarce records where far more collectors want a copy than own one.

Common questions

How much are my old records worth?

It depends far more on the title, pressing and condition than on age. Common albums in average shape are worth a few dollars; a first pressing of a sought-after record in near-mint condition can be worth hundreds. Search your album above to see what that pressing is actually selling for right now.

How do I know if my records are worth anything?

Some are, most are not worth much, and that is normal. Look for first pressings of collectible artists, limited editions and unusual variants, all in clean condition. Everyday hits pressed in huge numbers stay cheap however old they are. The own-versus-want numbers above show which records collectors are actually chasing.

How do I find out what my vinyl is worth?

Any honest record valuation starts the same way: identify the exact pressing (catalogue number and year), then check what that pressing sells for. This tool shows the live lowest price, how many are for sale, and the own-vs-want demand. The same album can be worth $10 or $500 depending on the pressing, so match the catalogue number.

What makes a record valuable?

Pressing (first pressings and limited editions beat reissues), condition (near-mint can be worth several times a worn copy), scarcity (few for sale), and demand (more want it than own it). Original jazz, soul, funk, reggae and early rock pressings are among the most sought after.

Does condition change the price that much?

Yes. On the Goldmine grading scale a Near Mint copy can be worth two to five times a Very Good one, and a sealed original more still. The lowest price here is the cheapest listed copy regardless of grade, so a clean copy usually commands more.

Is this what I will actually get?

It is the current lowest asking price, the best free live guide. What you get depends on your copy's condition and whether you sell privately or to a shop (shops pay less). Few for sale plus high demand means you can ask more.